Showing posts with label sturm und drang. Show all posts
Showing posts with label sturm und drang. Show all posts

Friday, January 30, 2009

Album Review: Rock 'n Roll Children

now playing: Guster - Barrel of a Gun


Sturm Und Drang - Rock n' Roll Children


The members of Finnish heavy metal group Sturm Und Drang are scarcely 17 years old, but they already have two hard-hitting albums under their belt. Rock 'n Roll Children (GUN Records), released on November 10th, follows 2007's Learning to Rock (Helsinki Music Company); comparing the two albums, it's apparent just how much the band's sound has evolved in so little time. Vocalist André Linman is getting more mature not only physically, but musically, as well, and the band follows. The licks are meatier, the drumming more powerful, and the bass lines more rumbling. Yes, compared to the album before it, it's really something special. But how does it stand on its own?

Those expecting influences from Dio from the title of the album would not be entirely far off. In several songs, I noticed inspiration drawn from Skid Row, Accept, Gamma Ray, Sonata Arctica, and of course, Judas Priest. This album certainly sounds like it could holds its own against the greats. However, like many songs from the era of 80s metal, every song on the album follows a fairly distinct formula with regards to construction. I don't think I could listen to Children on repeat for fear of getting bored. It's possible, though, that the band planned for this: At least half the songs sound like they were produced with explicit intent to perform live. These tracks are rife with call-and-response singing, choruses with memorable melodies, and extended solos to show off the band's chops. I'm going to count this as a mark for the album, even though Sturm Und Drang has only ever played one show outside Europe.

The other issue I have with the album is not something for which it is easy to hold anyone culpable. Linman sings in English, and while his grasp on the language is mostly natural, there are a few moments I can think of when his accent makes it hard to understand him. By and large, though, his singing has vastly improved from what it was on Learning to Rock. If the band gets a third try, I have confidence that he'll sound like he's been speaking English for most his life.

When compared with their previous album, Rock 'n Roll Children shows a marked evolution and maturity in the group's sound. As a standalone album, it's slightly more impressive. I have high hopes for this band. They get closer to falling into their own with each song they record. If they keep up this pace, it won't be long before these children become rock and roll men. B

You can import Rock 'n Roll Children from Amazon or download it on iTunes. Sturm Und Drang will be touring Finland through May starting on February 19th. Go here for dates.

Wednesday, January 28, 2009

What I Can't Stop Listening To: January 2009

now playing: 3OH!3 - Holler 'Til You Pass Out


Before I start with this post, I have a little bit of bad news. The Ghost Hounds, previously mentioned in this post, have had their debut album pushed back from February to late April. I'm not sure what the issue is, but as long as their album is still coming out, I'm happy. Now, without further ado: Here are the songs I can't stop listening to for January 2009.

05) 3OH!3 - Don't Trust Me


A song like this is hard to ignore. From Boulder, CO comes dance-rap group 3OH!3 and their biggest hit so far from this album, "Don't Trust Me". A friend of mine started typing the lyrics at me and I just had to hear it. I wasn't disappointed. Lyrics like "tell your boyfriend / if he says he's got beef / that I'm a vegetarian and I ain't fuckin' scared of him" and "shush girl / shut your lips / do the Helen Keller and talk with your hips" are backed by positively infectious electronic beats and synth, to say nothing of how addictive the chorus is. You can hear "Don't Trust Me" and other songs on 3OH!3's MySpace.


04) Stolen Babies - Filistata


Personally, I don't think there are enough songs about genera of spiders. Enter Stolen Babies, a dark cabaret group from California. With bands like Jack Off Jill and Daisy Chainsaw among my favorite disbanded groups, it's very refreshing to hear the bass lines and combined screaming and singing that I love so very very much again. I have strong hopes for Stolen Babies. I'd hate to see them die before their time. You can check out songs off There Be Squabbles Ahead at Stolen Babies' MySpace.


03) Sturm Und Drang - Heaven (Is Not Here)


Confession time: I love power ballads. I think they are the epitome of modern rock music. (That's not entirely true, but it's close enough.) Sturm Und Drang hail from Finland and were inspired to start a band after seeing a Judas Priest concert. Their harder songs show their musical chops, but "Heaven (Is Not Here)", the closing track off Rock n' Roll Children (which I intend to review soon) lets the boys really shine. One of these days, I'm going to see them live, and my lighter will be at the ready for this song. Sturm Und Drang's MySpace has samples from both their albums so far.


02) Poe - Hello (Full Band Version)


If you follow American Idol, you may know Poe most recently as the girl who does that song that appears in that one Ford commercial all the time. I know her as a magnificent singer and songwriter, as well as the sister of House of Leaves author Mark Z. Danielewski. This song is a remake, originally appearing on her 1995 album of the same name. As far as I can tell, it's a MySpace exclusive; Poe has some tricky licensing problems going on with everything she recorded on Atlantic. I could go on for ages about her, and at some point I will, but at this point I'll just say that the remake turns what was a good song into a great song. You can check it out on Poe's MySpace, along with nearly everything she's ever released.


01) Orleans - Still the One


Ah, Orleans. This song may as well be my perpetual number one pick for this feature. I've been a fan of this song for nigh on 15 years now, ever since it appeared on my parents' wedding tape that my dad played incessantly on long car rides. (Not that I'm complaining, mind.) For a song like this, I don't think I need to explain why it's a classic. The vocal harmonies, two guitar solos, and a cappella breakdown are what do it for me, but your mileage may vary. Orleans are still having fun today; you can listen to all their hits on MySpace Music (including the one that inspired the title of this blog) and keep up with everything the band is doing now on their official website.


That's all for January. I'll see you in February with more of the same, only hopefully I'll be posting more frequently. Until next time, keep your eyes on the skies.